Vol. 4 No. 1 (2016): Transnational Modernisms

Guest edited by Mark Byron.

Published: 20-11-2016

Articles

• Introduction: Parallax Visions of Transnational Modernisms

  Mark Byron

  1-14

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• Ulysses: Burlesque Modernism and Antipodean Parallax

  Paul Giles

  15-39

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• Christina Stead’s “Devil’s Kitchen”: Seven Poor Men of Sydney as Narrative of Disillusionment

  Sam Matthews

  40-64

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• Oriental Woolf

  Ira Nadel

  65-91

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• Intermodernism and Transnational Modernism: Vicki Baum’s Grand Hotel and the Americanism of New Objectivity

  Juliane Römhild

  92-105

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• Global Modernity, Anthropogenic Extinction, and the Future of Sexual Difference: From Mary Shelley’s Frankenstein to Julia Leigh’s The Hunter

  Russell Smith

  106-126

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• Acquisition as Appropriation: From the Parthenon to the Abu Dhabi Guggenheim

  Heidi Stalla, Diana Chester

  127-142

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• Visions of the Sun: Modernist Mexico’s Transnational Horizons

  Mark Steven

  143-168

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• Wyndham Lewis’s Cosmopolitanism: On Historicity and Modernist Studies

  Emmett Stinson

  169-186

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• Jean Rhys’s Piecing of the Local and the Transnational in Voyage in the Dark

  Sue Thomas

  187-207

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Reviews

• Taylor, Julie, ed., Modernism and Affect

  Jessica Gildersleeve

  208-212

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• Susan Stanford Friedman, Planetary Modernisms

  Lorraine Sim

  213-219

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